NICK’S BLOG

Blog with me at TenthSphere.com!

  • Nick's Facebook
  • Nick's LinkedIn
  • Home
  • About Nick Iandolo

Acting Classes: Do they help?

Posted in Hawking Your Wares by Katlyn Tillman
Dec 13 2010
TrackBack Address.

I know some people think acting classes are mandatory for writers and some think they’re a waste of money.; that if you just read enough scripts or writing books, you’ll be a pro.

Acting classes aren’t mandatory, but I would recommend them. I started out acting. That’s actually how I got into writing.

My mother also writes, and whenever she reads something I write, so always ask me “How do you write so realistic dialogue?”

There’s a simple answer: I’m an actor.

There are several benefits in my mind to taking acting classes.

1. It helps you write better dialogue.

When you’re up on stage or in class everyday and you have to perform someone else’s written work. You have to make that dialogue ring true. You learn what NOT to write, when it comes to dialogue. I hate to say it, but not even A-list actors can make cheesy dialogue come to life. When you are acting saying other people’s dialogue, you learn very quickly what works and what doesn’t.

Dialogue is also very important. Yes, there have been amazing silent films and amazing scenes without dialogue. But dialogue is the pepper, salt, and cheese to your Mac’n’Cheese. Without it, they’re just noodles. Noodles are good, but so much better with the cheese, and the pepper and salt on top. Don’t you want to make a great Mac’n’Cheese?

2. It helps with pitching.

Once you’ve performed a play, you can pitch. It’s no different. You selling a story in both of those. You’re just telling the story when your pitching and acting the story when you performing in a play.

3. It builds confidence.

That’s pretty self-explanatory.

4. It builds a thick skin.

One that’s very needed in the entertainment industry.

5. You make connections.

If you ever wanted to make a low-budget film, the actors and actresses you meet in acting class are the one’s you want. They’ll be trained and most likely work for free. Plus, it always helps to have actors read your script and give feedback. After all, they are the one’s that are finally going to be performing the script, hopefully.

Finding a good acting teacher is really tricky, especially if you don’t live in LA. But, even if you got involved in community theatre as an extra, that helps. I love acting and it’s not easy. But it’s helped me so much when writing scripts. And it’s just another tool to put in your screenwriting tool chest. One of my acting teachers use to say when teaching us a new technique, “This is another tool to put in your tool chest and pull out when you need it.” When you have that tool chest full, you’ve got everything you need to write or to act. And even if you can’t fill it up, don’t you want to put as many tools in your tool chest as possible? What happens if the house starts to flood, don’t you want ALL the tools you need to fix the problem? You don’t want to have to go to all the way to Lowes just to pick up a wrench, because you didn’t have one.

Katlyn Tillman

No Comments yet »

Pitching from head to toe: Selling your script to the producer

Posted in Hawking Your Wares by Katlyn Tillman
Nov 25 2010
TrackBack Address.

Pitching from head to toe: Selling your script to the producer

By Katlyn Tillman

Pitching is a very scary term to most screenwriters. We spend countless hours behind the safety of our computer screen writing our masterpiece and now… we have to go out and talk about it! Just to get some else (hopefully a producer) to read it! And what’s more scary is that not only do we have to verbally explain our story to this person and make them realize how amazing our story is, but normally we only have ONE SENTENCE to do it! Before we lose their attention.

I’ve pitched my script before. Several times before. To friendly people. To mean people. To people who were interested. And to people who weren’t.

Let me tell you something. The only thing that makes it scary is you.

If you prepare and if you know what you’re doing. It’s not scary, it’s only fun! (more…)

No Comments yet »

“Tales From The Script” Movie Trailer

Posted in Hawking Your Wares by Nick
Dec 09 2009
TrackBack Address.

Hey Fellow Screenwriters!

You probably want to take a look this. My buddy, Daniel Thron, who currently lives and works in LA as a lead matte painter, visual effects supervisor, voiceover talent, actor, screenwriter, and an aspiring director, sent me this.

It is so true that if and when you sell your script you will most likely find that not one word of what you write will ultimately appear on the screen. Such is the tough and often ruthless game of screenwriting in Hollywood. Things are starting to change a bit as more and more independent productions are happening, and as more projects are being distributed through other mediums such as the Internet. However, as an aspiring screenwriter, you’re going to face some serious uphill battles, lots of rejection, and outright merciless criticism. Those are the hard realities, but that is true for any industry. The key is “not to take it personally, and never stop trying.”

So without further adieu, let me present to you this trailer for Tales From The Script.

Perhaps we’ll do a group field trip and catch this film at The Kendall Square Cinema or wherever it will be shown in the Boston area.

In the meantime, get back to that writing!

1 Comment »

Query Letters

Posted in Hawking Your Wares by Nick
Dec 07 2009
TrackBack Address.

Let’s start with query letters. Since I’ve been writing tons of them ever since getting back from The 6th Annual Great American PitchFest, I’ve become something of an expert on this matter.

Query letters for scripts are much like letters to an editor when trying to get a book published. The standard structure is something like this:

  • Your contact info (usually in the letterhead)
  • The intended recipient’s contact info
  • The subject
  • The Greeting (with some kind of pretext opener)
  • The hook
  • The story concept/synopis
  • The call to action
  • The salutation

So what does a real query letter to a Hollywood exec look like? See the following example:

Sample Query Letter Sent To An Actual Producer

Sample Query Letter Sent To An Actual Producer

In the above example, I pitched two of my screenplays. Usually you would pitch one at a time, but if you have more than one and can be succinct, the double-pitch query can be very effective. That is as long as the intended recipient’s company produces films in the genres of the stories that you’re trying to pitch.

Good luck,

Nick

1 Comment »

Pages

  • Home
  • About Nick Iandolo

Categories

  • Beer: The Nectar Of The Gods
  • CUT THE CRAP AND WRITE THAT DAMN SCREENPLAY!
  • La Chitarra
  • Movies Baby!
  • Politics
  • Sci-Fi
    • Battlestar Galactica
  • Tai Chi – The Force Of Life
  • What's On My Mind
    • The Economy
  • Writing for the Screen!
    • Hawking Your Wares
    • It's All About: You Know Whom?
    • Screen Writers Group Meeting Notes
    • The Screenplay Language (Formatting)
  • Writing Up A Storm

Archives

  • July 2012
  • December 2010
  • November 2010
  • September 2010
  • July 2010
  • June 2010
  • May 2010
  • April 2010
  • February 2010
  • January 2010
  • December 2009
  • March 2009

Meta

  • Register
  • Log in
  • Valid XHTML
  • XFN
  • WordPress
Powered by WordPress | “Blend” from Spectacu.la WP Themes Club